Wednesday, March 28, 2012
Hazel Lee [1912-1944]
Experienced women pilots, like Lee, were eager to join the WASP, and responded to interview requests by Cochran. Members of the WASP reported to Avenger Field, in wind swept Sweetwater, Texas for an arduous 6-month training program. Lee was accepted into the 4th class, 43 W 4. Hazel Ying Lee was the first Chinese American woman to fly for the United States military.
Although flying under military command, the women pilots of the WASP were classified as civilians. They were paid through the civil service. No military benefits were offered. Even if killed in the line of duty, no military funerals were allowed. The WASPs were often assigned the least desirable missions, such as winter trips in open cockpit airplanes. Commanding officers were reluctant to give women any flying deliveries. It took an order from the head of the Air Transport Command to improve the situation.
Upon graduation, Lee was assigned to the third Ferrying Group at Romulus, Michigan. Their assignment was critical to the war effort; Deliver aircraft, pouring out of converted automobile factories, to points of embarkation, where they would then be shipped to the European and Pacific War fronts. In a letter to her sister, Lee described Romulus as “a 7-day workweek, with little time off.” When asked to describe Lee’s attitude, a fellow member of the WASP summed it up in Lee’s own words, “I’ll take and deliver anything.”
Described by her fellow pilots as “calm and fearless,” Lee had two forced landings. One landing took place in a Kansas wheat field. A farmer, pitchfork in hand, chased her around the plane while shouting to his neighbors that the Japanese had invaded Kansas. Alternately running and ducking under her wing, Lee finally stood her ground. She told the farmer who she was and demanded that he put the pitchfork down. He complied.
Lee was a favorite with just about all of her fellow pilots. She had a great sense of humor and a marvelous sense of mischief. Lee used her lipstick to inscribe Chinese characters on the tail of her plane and the planes of her fellow pilots. One lucky fellow who happened to be a bit on the chubby side, had his plane dubbed (unknown to him) “Fat Ass.”
Lee was in demand when a mission was RON (Remaining Overnight) In a big city or in a small country town, she could always find a Chinese restaurant, supervise the menu, and often cook the food herself. She was a great cook. Fellow WASP pilot Sylvia Dahmes Clayton observed that “Hazel provided me with an opportunity to learn about a different culture at a time when I did not know anything else. She expanded my world and my outlook on life.”
Lee and the others were the first women to pilot fighter aircraft for the United States military.
Image (via World War II Database)
Text [click for full article] (via Wikipedia)
Saturday, March 24, 2012
Thursday, March 22, 2012
Monday, March 12, 2012
Friday, March 9, 2012
Oshun, the Yoruban Goddess of love, delights in the creation of beauty and art, sensual delights and self-adornment. Her symbols are mirrors, jewelry, honey, golden silks and feather fans. Creativity in decorating home and temple is a way of honoring Oshun, who will bless any beautiful space created in Her honor. There is no object so common that Oshun will not appreciate more if it is made artistic and pleasing to the eye. Creativity in dress and self-adornment please her as well, and when Oshun is pleased, her blessings know no limits.
Wednesday, March 7, 2012
Funayūrei (“marine spirit”) are ghosts of people who have died at sea. They are sometimes depicted as scaly fish-like humanoids and some may even have a form similar to that of a mermaid or merman. They approach people on boats and ask to borrow a Hishaku (a utensil for scooping up water). If they are given a ladle, they will pour sea water into the boat until it sinks.
Thursday, March 1, 2012
Butoh (舞踏, Butō) is the collective name for a diverse range of activities, techniques and motivations for dance, performance, or movement inspired by the Ankoku-Butoh (暗黒舞踏, ankoku butō) movement. It typically involves playful and grotesque imagery, taboo topics, extreme or absurd environments, and is traditionally performed in white body makeup with slow hyper-controlled motion, with or without an audience. There is no set style, and it may be purely conceptual with no movement at all. Its origins have been attributed to Japanese dance legends Tatsumi Hijikata and Kazuo Ohno.